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Grateful Dead Live at Deer Creek Music Center on 1995-07-02


Topics Doug Nawrocki


Set 1

Here Comes Sunshine
Walkin' Blues
Dire Wolf
It's All Over Now
Broken Arrow
Desolation Row
Tennessee Jed
Let It Grow

Set 2

Scarlet Begonias ->
Fire On The Mountain
Victim Or The Crime
It's All Too Much ->
New Speedway Boogie ->
Drums ->
Space ->
Attics Of My Life ->
Sugar Magnolia

Encore
The Mighty Quinn (Quinn The Eskimo)


Collection GratefulDead
Band/Artist Grateful Dead
Date July 2, 1995
Venue Deer Creek Music Center
Location Noblesville, IN

Source Schoeps MK4v's > Reutelheuber Box > Sony D10 pro
Lineage Sony D10 pro > CDR > EAC > mkwACT
Taped by unknown
Transferred by Doug Nawrocki


Reviews

Reviewer: solsun - - May 15, 2010
Subject: good time bad times, know i've had my share
One of the great community moments. Poured like cats n dogs on us in Pittsburgh; all in the know called HC Sunshine as the Indy opener.

One of the worst community moments. Shame on the Creek mgmt; this is what goes down when you let 50,000 in the lot for a venue that holds 17,000.

Shame on all that jumped the fence. Ruined the good times for the rest of us.

Well played by the boys considering, left the house lights on for the second set for what turned out to be one of the last shows.
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Source: Set 2 Only Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/6 Feet LOC First Row Of Balcony)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5; Tapes: Maxell XLII-s 90 *, Maxell MX 100; Microphones Set Up Upper seats Last Row Vince's Side Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
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Source: flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: source: 2 Beyer M160 & 1 Sennheiser 421 mic's (17th row-center) > Nak100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
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Source: AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone.
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Source: Akg C460 Preis CK61 Caps > Uher 240; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row DFC Behind Soundboard
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Source: Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;
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Source: Master Audience AKG414>Technics Dat>Sony D6 Dolby C; Taper White,Transfer By Keo; Tapes Maxell MX 90's; Transfer With Nakamichi MR-1,No Dolby C>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
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Source: Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
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Source: Nakamichi CM-300 x2 > Cassette Master